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Faculty of Arts & SocietySchool of Cultural Studies |
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Dr Sue Chaplin
School Responsibilities Teaching Interests Sue is currently working on a new monograph, The Gothic and the Rule of Law, for publication in 2006/7, and she is also initiating a joint project with a colleague in the field of critical legal studies on feminist ontologies of law. Sue is the secretary of the British Association for Romanticism Studies and a member of the International Gothic Association, the British Society for Eighteenth-Century Studies and the Critical Law Association. She is a member of the editorial board of the online journal Literature Compass and acts as a referee and reviewer for the journal Feminist Legal Studies. Sue has experience of supervising research students on various aspects of eighteenth-century fiction, Romanticism and the Gothic. She welcomes research students in all of these areas, particularly those interested in law and literature or in women’s writing and the Gothic. Publications Chaplin, S. (2006) Spectres of Law in the castle of Otranto, Romanticism, Vol. 12, No. 3, pp. 177-88. Chaplin, S. (2005) Fictions of Origin: Law, Abjection, Difference, Law and Critique, Vol. 16, No. 2, pp. 161-180. Chaplin, S. (2005) Written in the Black Letter: The Gothic and the Rule of Law, Cardozo Journal of Law & Literature, Vol.17, pp. 47-68. Chaplin, S. (2004) Law, Sensibility and the Sublime in Eighteenth-Century Women’s Fiction. London: Ashgate. Chaplin, S. (2003) Entries on ‘Gender’ and ‘Women’. In C. Murray (ed.) Encyclopaedia of the Romantic Era. London: Routledge, Vol. 1, pp. 626-7 and Vol. 2, pp. 1131-2. Chaplin, S. (2002) ‘Fictions of Femininity: Gender, Genre and the Law of Genre in Eighteenth-Century England’. Griffith Law Review 1, pp. 34-43. Chaplin, S. (2002) ‘Romance and Sedition in the 1790s: Radcliffe’s The Italian’. Romanticism 7:2, pp. 40-61. Chaplin, S. (2001) ‘How the Sublime comes to Matter: An Irigarayan Critique of Hobbes, Locke and Burke’. Feminist Legal Studies 2, pp. 199-220. Chaplin, S. (2001) ‘The Sublime Object in Eliza Fenwick’s Secresy, or The Ruin on the Rock’. In F. Price (ed.) Silence and Romanticism. New York and Lampeter: Edwin Mellen, pp. 109-28. Chaplin, S. (2000) ‘Memory, Imagination and the (M)Other in Charlotte Brontë’s Villette’. In A. Horner and A. Keane (eds) Body Matters: Feminism, Textuality, Corporeality. Manchester: Manchester University Press, pp. 225-33. Chaplin, S. (2000) ‘Terror, Transcendence and Control in Charlotte Dacre’s Zofloya, or The Moor’. In S. Ruston (ed.) Spectres of Romanticism. New York and Lampeter: Edwin Mellen, pp. 3-21. Consultation Hours Contact Details |
MA English: Twentieth Century-Literature QV32 BA (Hons) English & History Q320 BA (Hons) English Literature Academic Staff |
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